Well, the rewrite came and went in less time then I'd planned. On the one hand, it felt like a copout to throw in the towel two weeks before the Fade In Awards contest deadline, but on the other hand, it just felt done. Not to say that I'll never do any more work on it, because I'm sure I'll have to, especially if there ends up being any interest in it -- but for now, I feel pretty good standing by it as-is.
I didn't realize it since I've never really gotten to this point with another script, but the only thing more nerve-wracking than writing a script is figuring out what to do with it once it's done. I don't have an agent, or a manager, or an uncle named Spielberg, so the options are not immediately clear.
Here's what I've done so far.
1. Registered it online with WGA. Cost: $20. No-brainer.
2. Submitted it to for consideration to the Fade In Awards. Cost: $47.50. I don't know if it's the best or most widely recognized screenwriting contest in the world, but it did have a deadline of October 31 which helped spur me on to finish the script. If I win, I get an iMac and an all-expense paid trip to Los Angeles to meet with agents and producers and such. Since I live no more than 30 minutes from any of the studios, I'm really hoping they'll pay out the cash equivalent for the plane ticket and lodging.
3. Posted to TriggerStreet.com. Cost: $0. A good way to get peer review, as well as potential consideration from Kevin Spacey's production company. So far the script is rated #594 out of something like 2,200 total scripts, which means I'm close to the top 25% after only four reviews. I don't really know how good that is. I think you need to be in the top ten for it to really mean anything. We'll see. I'm reading and reviewing a lot of scripts in return, to get my script assigned to as many members as possible.
4. Emailed script to a few friends. Cost: maybe a drink or two.
5. Updated Facebook status to beg well-connected people to read my script. Cost: my dignity.
6. Purchased basic coverage package from ScriptShark. Cost: $155. I know, ouch. The upside is that my script gets read by a professional who will provide me with detailed feedback, analysis, and opinion -- and, if said feedback/analysis/opinion are positive enough, the script gets shown to a network of agents, managers, producers, plumbers, rumrunners, and so forth. So, at the very least, it can't end up being a complete waste of money.
So that's where I am at the moment. In addition, I'm trying to get started on the New Script -- the shiny, beautiful, magnificent idea that kept taunting me while I was trying to finish the last one. It still looks shiny and magnificent, but it's also going to be a hell of a lot of work. Example #247 of why thinking about a project is always a lot more appealing than doing it.